PRINTMAKING DUMMMP
PFFFFFFFFFFFFFFFFFFFFFFFFFFFT
I feel like everything's pretty self explanatory.
I just ate a lot of lasagna
my dogs turned 3 a couple days ago
PRINTS AFTER THE JUMP
Friday, November 19, 2010
Saturday, November 13, 2010
I'm not asian enough
to figure out how to change the html so that I can reply to comment
FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFfffffffffffffffffffffffffffff
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PAINTER I HATE YOU SO!
those are supposed to be epic clouds but it looks like snow.
epic fail.
...
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Monday, November 8, 2010
Friday, November 5, 2010
Wow I'm a dumb
A bunch of illustration kids drew some spooky/halloween related things and it was bound into a book and given to a teacher at Massart who's all about halloween.
Some scans of a couple pages I did.. I did a spread but for some odd reason I forgot to scan the other half? I thought I double checked and everything to make sure. I'm a dumb. GUESS WHICH ONE'S THE SPREAD?
I think the severed head girl was drawn in response to people thinking my dry point resembled a same weber painting. rageragerage
an apple done on corel painter. I think we had to use the color and depth option. I'm not too keen on it. it's super cheesy. aightaightaight. After a while I just felt stupid trying to make a digital piece look traditional.
Some scans of a couple pages I did.. I did a spread but for some odd reason I forgot to scan the other half? I thought I double checked and everything to make sure. I'm a dumb. GUESS WHICH ONE'S THE SPREAD?
I think the severed head girl was drawn in response to people thinking my dry point resembled a same weber painting. rageragerage
an apple done on corel painter. I think we had to use the color and depth option. I'm not too keen on it. it's super cheesy. aightaightaight. After a while I just felt stupid trying to make a digital piece look traditional.
yeah suck it.
Thursday, November 4, 2010
Process
ess ess esss
Just some process work for my next printmaking ..print. it's a 14inch x 18 inch hardground etching.
I don't know how it's going to translate exactly since the darkness of line depends on the amount of time the plate is in the acid for. so I'm not sure if I should work on the darker parts first then move onto the lighter parts so the acid has more time to make the darks darker?
oyhoo I hate thinking. Just been so burnt out this week.
anyways these are just some thumbnails. I was attracted to the left most two on the middle row. but I'd already done a yak/llama type print already and the other one looked really similar to a preexisting piece of work. it seems like I've been running into this problem when I find myself using the same compositions/subject matter/layout as other people. I did a drypoint that looks like a sam weber painting. ffffffffffffffffffffffffff. It kills me to think that I'm doing something original only to have someone else point out that it's been done before. fasjlkfajsfjlff
.
Just some process work for my next printmaking ..print. it's a 14inch x 18 inch hardground etching.
I don't know how it's going to translate exactly since the darkness of line depends on the amount of time the plate is in the acid for. so I'm not sure if I should work on the darker parts first then move onto the lighter parts so the acid has more time to make the darks darker?
oyhoo I hate thinking. Just been so burnt out this week.
anyways these are just some thumbnails. I was attracted to the left most two on the middle row. but I'd already done a yak/llama type print already and the other one looked really similar to a preexisting piece of work. it seems like I've been running into this problem when I find myself using the same compositions/subject matter/layout as other people. I did a drypoint that looks like a sam weber painting. ffffffffffffffffffffffffff. It kills me to think that I'm doing something original only to have someone else point out that it's been done before. fasjlkfajsfjlff
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